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JAN
14
HAPPY LAND (1943)
Don Ameche, Frances Dee, Harry Carey, Ann Rutherford, Cara Williams, Minor Watson, Dickie Moore, Harry Morgan, Mary Wickes, Natalie Wood. Productor: Kenneth MacGowan Director: Irving Pichel
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Don Ameche's son is killed in WW II.
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Don Ameche's son is killed in WW II.
JAN
14
TOMORROW IS FOREVER (1946) "MAÑANA ES VIVIR"
Claudette Colbert, Orson Welles, George Brent, Lucile Watson, Richard Long, Natalie Wood, John Wengraf, Joyce MacKenzie, Ian Wolfe. Productor: David Lewis Director: Irving Pichel
CRITICA EN EL PERIODICO "LA VANGUARDIA" (26-10-1947)
No es la primera vez, y no será la última, que se aborda en una película, el asunto del hombre a quien se da por desaparecido en la guerra y retorna pasados los años.
CRITICA EN EL PERIODICO "LA VANGUARDIA" (26-10-1947)
No es la primera vez, y no será la última, que se aborda en una película, el asunto del hombre a quien se da por desaparecido en la guerra y retorna pasados los años.
JAN
14
THE BRIDE WORE BOOTS (1946)
Barbara Stanwyck, Robert Cummings, Diana Lynn, Peggy Wood, Patric Knowles, Robert Benchley, Natalie Wood, Richard Gaines. Productor: Seton I Miller Director: Irving Pichel -------------------------------------------------------------------------- -------------------------------------------------------------------------------------- In Barbara Stanwyck filmography, "The Bride Wore Boots" stands as the last comedy in the career of an actress whose comic talent brought us among others "The Mad Miss Manton", "The Lady Eve" and "Ball of Fire". While uneven and competent for most of is duration, it ends being no more than a footnote. It also suffers from a good ten year delay; in 1937 was called "The Awful Truth" and in 1940 "My Favorite Wife" and in both occasions starred Cary Grant and Irene Dunne. So you've guessed - a married couple gets divorced and... you know the rest. The film isn't bad, it's just not good either. Barbara Stanwyck's energy and Robert Cummings' charm manage to keep it afloat most of the time. But even they fail occasionally. She is too clumsy in the scenes where she's ruthless towards her husband, often being too aggressive and exploding quite quickly. Patrick Knowles as the second banana is limited by the script to a caricature. However, the biggest disappoint with the film was Diana Lynn. When I saw the opening credits I was quite excited with her third billing. The know-it-all sister in Wilder's "The Major and the Minor" and in Sturges' "The Miracle of Morgan Creek", it's evident here that she was being groomed by Paramount for something bigger - the second female lead. The problem is that her part failed her and she comes up so unsympathetic and irritating that makes Gail Patrick in "My Favourite Wife" someone you want as your best friend. On the plus side, I quite like the way they showed the children being manipulated by Stanwyck's character to make her ex-husband's life pure hell. The opening sequence is brilliant telling you all you needed to know about all those involved. The whole subplot with the horse is quite well done, albeit a bit saccharine. And best of all, Peggy Wood as Stanwyck's mother, one of those know-it-all characters that dished sarcasm so well (reminding me of Lynn's work in the aforementioned films). All in all, there's no genius in this. It'll make you laugh and occasionally cringe. Oh, and keep an eye for a very young Natalie Wood as the little girl.
JAN
14
MIRACLE ON 34 TH. STREET (1947) "DE ILUSIÓN TAMBIÉN SE VIVE"
Maureen O´Hara, John Payne, Edmund Gwenn, Gene Lockhart, Natalie Wood, Porter Hall, William Frawley, Jerome Cowan, Robert Karnes, Thelma Ritter, Jeff Corey.
JAN
14
THE GHOST AND MRS MUIR (1947) "EL FANTASMA Y LA SRA MUIR"
Gene Tierney, Rex Harrison, George Sanders, Edna Best, Vanassa Brown, Anna Lee, Robert Coote, Natalie Wood, Isobel Elson, Victoria Horne. Productor: Fred Kohlmar Director: Joseph L. Mankiewicz
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If I may say so this film is one of the most haunting and lovely romances ever on screen - ghost and all. Once you step back in time into that prim, Victorian world it is hard to turn away.
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If I may say so this film is one of the most haunting and lovely romances ever on screen - ghost and all. Once you step back in time into that prim, Victorian world it is hard to turn away.
JAN
14
(DRIFTWOOD 1947)
Ruth Warrick, Walter Brennan, Dean Jagger, Charlotte Greenwood, Natalie Wood, Jerome Cowan, H. B. Warner, Margaret Hamilton, Hobart Cavanaugh, Alan Napier. Director: Allan Dwan
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Allan Dwan was one of the few directors to bridge the gap from silent to sound pictures. His body of work includes silent films like Robin Hood, and decades later the John Wayne film, Sands of Iwo Jima.
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Allan Dwan was one of the few directors to bridge the gap from silent to sound pictures. His body of work includes silent films like Robin Hood, and decades later the John Wayne film, Sands of Iwo Jima.
JAN
14
SCUDDA HOO SCUDDA HAY (1948)
June Haver, Lon McCallister, Walter Brennan, Anne Revere, Natalie Wood, Robert Karnes, Henry Hull, Tom Tully, Marilyn Monroe. Director: F.
JAN
14
CHICKEN EVERY SUNDAY (1948)
Dan Dailey, Celeste Holm, Colleen Townsend, Alam Young, Natalie Wood, William Frawley, Connie Gilchrist, Porter Hall. Director: George Seaton
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In Tucson Arizona in 1910, Emily Hefferen visits attorney Robert Hart to file for divorce from her husband Jim, citing his lack of support as grounds.
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In Tucson Arizona in 1910, Emily Hefferen visits attorney Robert Hart to file for divorce from her husband Jim, citing his lack of support as grounds.
JAN
14
FATHER WAS A FULLBACK (1949)
Fred MacMurray, Maureen O´Hara, Betty Lynn, Rudy Vallee, Thelma Ritter, Natalie Wood, Jim Backus. Director: John M. Stahl
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Maltin's movie guide gives this TCF production two-and-half stars which means some staff member didn't wake up in time to turn on the TV. Because this is a sparkling little comedy with inventive lines, lively performances, and first-rate direction. (For example, note director John M.
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Maltin's movie guide gives this TCF production two-and-half stars which means some staff member didn't wake up in time to turn on the TV. Because this is a sparkling little comedy with inventive lines, lively performances, and first-rate direction. (For example, note director John M.
JAN
14
THE GREEN PROMISE (1949) "LA PROMESA VERDE"
Maguerite Chapman, Walter Brennan, Robert Paige, Natalie Wood, ted Donaldson, Irving Bacon. Director: William D. Russell
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William D. Russell directs this rather unusual screenplay about a widower farmer and his four children of various ages, who live under their pig-headed father's thumb.
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William D. Russell directs this rather unusual screenplay about a widower farmer and his four children of various ages, who live under their pig-headed father's thumb.
JAN
14
NO SAD SONGS FOR ME (1950) "AMARGA SOMBRA"
Margaret Sullavan, Wendell Corey, Viveca Lindfors, Natalie wood, John McIntire, Ann Doran, Richard Quine, Jeanette Nolan.
JAN
13
OUR VERY OWN (1950) "VIDA DE MI VIDA"
Ann Blyth, Farley Granger, Joan Evans, Jane Wyatt, Donald Cook, Ann Doran, Natalie Wood, Phyllis Kirk, Martin Milner.
JAN
13
NEVER A DULL MOMENT (1950) "QUE VIDA ESTA"
Irene Dunne, Fred MacMurray, Andy Devine, William Demarest, Gigi Perreau, Natalie Wood, Philip Ober, Ann Doran, Gene Evans.
JAN
13
THE JACKPOT (1950) "CUIDADO CON LOS INSPECTORES"
James Stewart, Barbara Hale, James Gleason, Fred Clark, Patricia Medina, Natalie Wood, Tommy Rettig, Lyle Talbor.
JAN
13
DEAR BRAT (1951)
Mona Freeman, Billy De Wolfe, Edward Arnold, Lyle Bettger, Natalie Wood, Frank Cady. Director:William Seiter
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This is a near farce about a teenager who decides to rehabilitate a criminal by hiring him to work at her father's home. Her father was the judge that sentenced him. I looked at this because Of Natalie Wood. She was only in the film for the last 20 minutes and only for about 10 minutes screen time.
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This is a near farce about a teenager who decides to rehabilitate a criminal by hiring him to work at her father's home. Her father was the judge that sentenced him. I looked at this because Of Natalie Wood. She was only in the film for the last 20 minutes and only for about 10 minutes screen time.
JAN
13
THE BLUE VEIL (1951) "NO ESTOY SOLA"
Jane Wyman, Charles Laughton, Joan Blondell, Richard Calson, Agnes Moorehead, Don Taylor, Cyril Cusack, Harry Morgan, Audrey Totter, Everet Sloane, Natalie Wood, Vivian Vance, Warner Arderson.
JAN
13
JUST FOR YOU (1952)
Bing Crosby, Jane Wyman, Ethel Barrymore, Robert arthur, Natalie Wood, Cora Whiterspoon, Regis toomey, Willis Bouchey, Julie Newman. Director: Elliot Nugent
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This is the second of two films Bing Crosby partnered with Jane Wyman after their stunning success in Here Comes The Groom. This time Paramount gave them color and Ethel Barrymore and the results are a treat.
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This is the second of two films Bing Crosby partnered with Jane Wyman after their stunning success in Here Comes The Groom. This time Paramount gave them color and Ethel Barrymore and the results are a treat.
JAN
12
THE ROSE BOWL STORY (1952)
Marshall Thompson, Vera Miles, Natalie Wood, Jim Backus, Ann Doran, Keith Larsen. Director: William Beaudine
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Vera Miles, who gave memorable performances in PSYCHO and BACK STREET, is very appealing in this simple love story set against the background of the annual Rose Bowl football game. A youthful Natalie Wood plays her kid sister, with the rest of the cast filled out by some rather mature-looking college guys.
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Vera Miles, who gave memorable performances in PSYCHO and BACK STREET, is very appealing in this simple love story set against the background of the annual Rose Bowl football game. A youthful Natalie Wood plays her kid sister, with the rest of the cast filled out by some rather mature-looking college guys.
JAN
12
THE STAR "LA ESTRELLA" (1952)
Director: Stuar Heisler
Bette Davis, Sterling Hayden, Natalie Wood; warner Ardenson, Minor Watson, Barbara Lawrence.
Bette Davis, Sterling Hayden, Natalie Wood; warner Ardenson, Minor Watson, Barbara Lawrence.
JAN
12
THE SILVER CHALICE (1954) "EL CÁLIZ DE PLATA"
Virginia Mayo, Pier Angeli, Jack Palance; Paul Newman, Walter Hampden, Joseph Wiseman, Alexander Scoourby, Lorne Greene, E. G. Marshall, Natalie Wood, Iam Wolfe. Director: Victor Saville
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I have to agree with the negative comments on this one. First of all, let's begin with the good points.
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I have to agree with the negative comments on this one. First of all, let's begin with the good points.
JAN
12
ONE DESIRE (1955) "SU ÚNICO DESEO"
Anne Baxter, Rock Hudson, Julie Adams, Natalie Wood, Carl Benton Reid, William Hopper, Charles Gray. Director: Jerry Hopper
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CRITICA EN EL PERIODICO "LA VANGUARDIA" (17-11-1962)
En ésta pelicular en la que se dan con generosidad todos los ingredientes necesarios para emocionar y mantener vivo el interés hacia unas vicisitudes perfectamente convencionales, pero también de defectos seguros.
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CRITICA EN EL PERIODICO "LA VANGUARDIA" (17-11-1962)
En ésta pelicular en la que se dan con generosidad todos los ingredientes necesarios para emocionar y mantener vivo el interés hacia unas vicisitudes perfectamente convencionales, pero también de defectos seguros.
JAN
12
REBEL WITHOUT A CAUSE (1955) "REBELDE SIN CAUSA"
James Dean, Natalie Wood, Sal Mineo, Jim Backus, Ann Doran, Corey Allen, William Hopper, Dennis Hopper, Nick Adams, Ian Wolfe. Director: Nicholas Ray
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CRITICA EN EL PERIÓDICO "LA VANGUARDIA" (12-2-1964)
Un prestigio mítico rodea la figura de James Dean desde el día de su muerte un "misticismo" que probablemente es el que tiene menos fundamento de todos los creados por el cine, cuya breve historia es tan fecunda en mitos.
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CRITICA EN EL PERIÓDICO "LA VANGUARDIA" (12-2-1964)
Un prestigio mítico rodea la figura de James Dean desde el día de su muerte un "misticismo" que probablemente es el que tiene menos fundamento de todos los creados por el cine, cuya breve historia es tan fecunda en mitos.
JAN
12
THE SEARCHERS (1956) "CENTAUROS DEL DESIERTO"
John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, Natalie Wood, Harry Carey Jr, Antonio Moreno, Lana Wood; Patrick Wayne, Pippa Scott, Walter Coy, Dorothy Jordan.
JAN
12
THE BURNING HILLS (1956) "COLINAS ARDIENTES"
Tab Hunter, Natalie Wood, Skip Homeier, Earl Holliman, Claude Akins, Ray Teal. Director: Stuart Heisler:
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CRITICA EN EL PERIODICO "LA VANGUARDIA" (31-3-1962)
"Western" clásico y típico, con todos los requisitos, bastante elementales y primitivos, que exige este género, tal como se hacían en los tiempos de Tony Mix.
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CRITICA EN EL PERIODICO "LA VANGUARDIA" (31-3-1962)
"Western" clásico y típico, con todos los requisitos, bastante elementales y primitivos, que exige este género, tal como se hacían en los tiempos de Tony Mix.
JAN
12
A CRY IN THE NIGHT (1956) "UN GRITO EN LA NOCHE"
Edmund O´Brien, Brian Donlevy, Natalie Wood, Raymond Burr, Richard Anderson. Y la participación de Alan Ladd como narrador Director: Frank Tuttle
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This little-known sordid shocker played as part of a Natalie Wood homage on TCM.
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This little-known sordid shocker played as part of a Natalie Wood homage on TCM.
JAN
12
THE GIRL HE LEFT BEHIND (1956)
Tab Hunter, Natalie Wood, Jessie Royce, Jim Backus, Henry Jones, Murray Hamilton, Alan King, James Garner, David Janssen. Director: David Butler
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For about a ten-year period from the smash-hit Mr.
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For about a ten-year period from the smash-hit Mr.
JAN
12
BOMBERS B-52 (1957) "BOMBARDEOS B-52"
Natalie Wood, Karl Malden, Efren Zimbalist Jr, Marsha Hunt, Stuart Whitman, Don Kelly, Dean Jagger, James Garner, Juanita Moore. Director: Gordon Douglas
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If you love anything and everything about the B-52 than you'll love this film.
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If you love anything and everything about the B-52 than you'll love this film.
JAN
11
MARJORIE MORNINGSTAR (1958)
Gene kelly, Natalie Wood, Claire Trevor, Ed Wynn, Everett Esloane, Martin Milner, Carolyn Jones, George Tobias, Martin Balsam. Director: Irving Rapper
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Marjorie Morningstar fue la protagonista de una novela de gran éxito de Herman Wouk.
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Marjorie Morningstar fue la protagonista de una novela de gran éxito de Herman Wouk.
JAN
11
KINGS GO FORTH (1958) "CENIZAS BAJO EL SOL"
Frank Sinatra, Tony Curtis, Natalie Wood, Leora Dana, Karl Swenson. Director: Delmes Daves
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CRITICA EN EL PERIODICO "ABC DE MADRID" (5-3-1959)
"Cenizas bajo el sol", la película que se proyecta en el cine Paz, es un relato cinematográfico de excelentes calidades.
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CRITICA EN EL PERIODICO "ABC DE MADRID" (5-3-1959)
"Cenizas bajo el sol", la película que se proyecta en el cine Paz, es un relato cinematográfico de excelentes calidades.
JAN
11
CASH McCALL (1959) "EL POTENTADO"
James Garner, Natalie Wood, Dean Jagger, Nina Foch, E. G. Marshall, Henry Jones, Otto Kruger, roland Winters.
JAN
11
ALL THE FINE YOUNG CANNIBALS (1960) "LOS JOVENES CANIBALES"
Robert Wagner, Natalie Wood, George Hamilton, Susan Kolhner, Pearl Bailey, Anne Seymour, Onslow Stevens, Mabel Alberson, Louise Beavers, Virginia Gregg. Director: Michael Anderson
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CRITICA EN EL PERIDICO "LA VANGUARDIA" (8-11-1963)
Esta producción norteamericana, contiene positivos factores para que obtenga un buen éxito comercial.
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CRITICA EN EL PERIDICO "LA VANGUARDIA" (8-11-1963)
Esta producción norteamericana, contiene positivos factores para que obtenga un buen éxito comercial.
JAN
11
SPLENDOR IN THE GRAS (1961) "ESPLENDOR EN LA HIERBA"
Natalie Wood, Warren Beathy, Pat Hingle, Audrey Christie, Barbara Loden, Zohra Lampert, Gary Lockwood, Sandy Dennis, Sean Garrison, Lynn Loring, Phyllis Diller.
JAN
11
WEST SIDE STORY (1961) "AMOR SIN BARRERAS"
Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris, Gus Trikonis, Ned Glass, Simon Oakland. Director: Robert Wise, Jerome Robins
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CRITICA EN EL PERIODICO "LA VANGUARDIA" (9-12-1962)
Elha abierto sus puertas.
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CRITICA EN EL PERIODICO "LA VANGUARDIA" (9-12-1962)
El
JAN
11
GYPSY (1962) "LA REINA DEL VAUDEVILLE"
Rosalind Russell, Natalie Wood, Karl Malden, Ann Jillian, Paul Walace, Jean Willes, Harry Shannon, Morgan Brittny, Jack Benny. Director: Mervyn LeRoy
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CRITICA EN EL PERIÓDICO "ABC DE SEVILLA" (30-6-1973)
Comedia biográfica musical, ambientada en los años veinte, en Estados Unidos.
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CRITICA EN EL PERIÓDICO "ABC DE SEVILLA" (30-6-1973)
Comedia biográfica musical, ambientada en los años veinte, en Estados Unidos.
JAN
11
LOVER WITH THE PROPER STRANGER (1963) "AMORES CON UN EXTRAÑO"
Natalie Wood, Steve McQueen, Edie Adams, Herschel Bernardi, Tom Bosley, Harvey Lemberck, Penny Santon, Arlene Golonka, Richard Dysart, Richard Mulligan.
JAN
11
SEX AND THE SINGLE GIRL (1964) "LA PÍCARA SOLTERA"
Tony Curtis, Natalie Wood, Henry Fonda, Lauren Bacall, Mel Ferrer, Frank Jeffries, Leslie Parrish, Edward Everett Horton, Larry Storch, Otto Kruger, Barbara Bouchet.
JAN
11
THE GREAT RACE (1965) "LA CARRERA DEL SIGLO"
Tony Curtis, Jack Lemmon, Natalie Wood, Peter Falk, Keenan Wynn, Arthur O´Connell, Vivian Vance, Dorothy Provine, Ross Martin, Larry Storch, George Macready, Denver Pyle.
JAN
11
INSIDE DAISY CLOVER (1965) "LA REBELDE"
Natalie Wood, Christopher Plummer, Robert Redford, Roddy McDowall, Ruth Gordon, Katharine Bard, Paul hartman, Harold Gould.
JAN
11
THIS PROPERTY IS CONDEMNED (1966) "PROPIEDAD CONDENADA"
Natalie Wood; Robert Redford, Kate Reid, Charles Bronson, Mary Badham, Robert Blake, Dabney Coleman.
JAN
11
PENELOPE (1966) "PENÉLOPE"
Natalie Wood, Ian Bannen, Dick Shawn, Peter Falk, Lila Kedrova, Lou Jacobi, Jonathan Winters, Jerome Cowan, Norman Crane, Arlene Golonka, Fritz Feld. Director: Arthur Hiller
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CRITICA EN EL PERIÓDICO "LA VANGUARDIA" (29-3-1967)
El principal atractivo de "Penélope" radica en la labor personal de Natalie Wood.
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CRITICA EN EL PERIÓDICO "LA VANGUARDIA" (29-3-1967)
El principal atractivo de "Penélope" radica en la labor personal de Natalie Wood.
JAN
11
BOB&CAROL&TED and ALICE (1969) "BOB, CAROL, TED Y ALICE"
Natalie Wood, Robert Culp, Elliott Gould, Dyan Cannon, Greg Mullavey.
JAN
10
THE CANDIDATE (1971) "EL CANDIDATO"
Robert Redford, Peter Boyle, Melvin Douglas, Natalie Wood. Director: Michael Ritchie
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CASTING THE END
CRITICA EN EL PERIODICO "LA VANGUARDIA"
."El candidato" no es un filme político, sino una película que nos muestra el trasfondo de una cierta política.
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CASTING THE END
CRITICA EN EL PERIODICO "LA VANGUARDIA"
."El candidato" no es un filme político, sino una película que nos muestra el trasfondo de una cierta política.
JAN
10
THE AFFAIR (1973) "EL ASUNTO"
Natalie Wood, Robert Wagner, Bruce Davison, Kent Smith. Director: Gilbert Cates
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CRITICA EN EL PERIODICO "ABC DE MADRID" (16-5-1975)
El tema de esta película, podría resumirse en las tres fases habituales de tantos argumentos amorosos: flechazo, conquista y desencanto.
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CRITICA EN EL PERIODICO "ABC DE MADRID" (16-5-1975)
El tema de esta película, podría resumirse en las tres fases habituales de tantos argumentos amorosos: flechazo, conquista y desencanto.
JAN
10
PEEPER (1975) "UN DETECTIVE CURIOSO"
Michael Caine, Natalie Wood, Kitty Wynn, Thayer David, Liam Dunn, Dorothy Adams, Michael Constantine, Don Calfa. Director: Peter Hyams
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CRITICA EN EL PERIODICO "ABC DE SEVILLA" (28-11-1976)
La nueva comedia americana de intriga o policiaca, tiene marcada preferencia por California como escenario de su acción.
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CRITICA EN EL PERIODICO "ABC DE SEVILLA" (28-11-1976)
La nueva comedia americana de intriga o policiaca, tiene marcada preferencia por California como escenario de su acción.
JAN
10
CAT ON A HOT TIN ROOF (1976) "LA GATA SOBRE EL TEJADO DEL ZINC"
Natalie Wood, Robert Wagner, Laurence Olivier, Maureen Stepleton Director: Rober Moore
Autor: Tennessee Williams
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Natalie Wood and Elizabeth Taylor had one thing in common -- beauty and a delectable innate sexiness.
Autor: Tennessee Williams
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Natalie Wood and Elizabeth Taylor had one thing in common -- beauty and a delectable innate sexiness.
JAN
10
METEOR (1979) "METEORO"
Sean Connery, Natalie Wood, Karl Malden, Brian Keith, Trevor Howard, Martin Landau, Richard Dysart, Joseph Campanella, Bibe Besch, Henry Fonda.
JAN
10
FROM HERE TO ETERNITY (1978) "DE AQUÍ A LA ETERNIDAD"
Natalie Wood, William Devane, Steve Railsback, Kim Basinger, Joe Pantoliano, Roy Thinnes, Peter Boyle, Andy Griffith, Will Sampson, Salomé Jens, Richard Venture.
JAN
10
THE LAST MARRIED COUPLE IN AMÉRICA (1980) "LA ULTIMA PAREJA"
George Segal, Natalie Wood, Richard Benjamin, Valerie Harper, Bob Dishy, Marilyn Sokol, Arlene Golonka, Priscila Barnes, Dom deLuise. Director: Gilbert Cates
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CRITICA EN EL PERIÓDICO "LA VANGUARDIA" (18-10-1980)
La controversia que rodea al proyecto de ley sobre el divorcio, parece conceder a este filme una actualidad que tampoco debe sobrevalorarse.
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CRITICA EN EL PERIÓDICO "LA VANGUARDIA" (18-10-1980)
La controversia que rodea al proyecto de ley sobre el divorcio, parece conceder a este filme una actualidad que tampoco debe sobrevalorarse.
JAN
10
THE CRACKER FACTORY (1979) "LA FABRICA DE LOCOS"
Natalie Wood, Perry King, Peter Haskell, Juliet Mills, Vivian Blaine, Shelley Long. Director: Burt Brinckerhoff
Natalie Wood's performance in 'The Cracker Factory' is quite simply, brilliant. The fact she wasn't nominated for an Emmy for this performance is unforgivable. Her character is a nuanced mix of and belligerence and insecurity - with real depth and humour. When she found a part she could really relate to, there was such honesty in her work.
Natalie Wood's performance in 'The Cracker Factory' is quite simply, brilliant. The fact she wasn't nominated for an Emmy for this performance is unforgivable. Her character is a nuanced mix of and belligerence and insecurity - with real depth and humour. When she found a part she could really relate to, there was such honesty in her work.
JAN
10
THE MEMORY OF EVA RYKER (1980) "LOS RECUERDOS DE EVA RYKER"
Natalie Wood, Ralph Bellamy, Robert Foxworth, Roddy McDowall, Bradford Dillman, Jean Pierre Aumont, Peter Graves, Mel Ferrer, Morgan Fairchild.
JAN
10
BRAINSTORM (1983) "PROYECTO BRAINSTORM"
Christopher Walken, Natalie Wood, Cliff Robertson, Louise Fletcher, Donald Hotton, Alan Fudge, Joe Dorsey, Jason Lively.Director: Douglas Trumbull
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Critica en el periodico "La Vanguardia" (18-4-1984)
El cine no deja de especular con el inmediato futuro, que posiblemente se este fraguando ahora mismo en unos laboratorios tan fríos, asépticos
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Critica en el periodico "La Vanguardia" (18-4-1984)
El cine no deja de especular con el inmediato futuro, que posiblemente se este fraguando ahora mismo en unos laboratorios tan fríos, asépticos
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